The performance, the performing and aesthetic practice as an urgency, as a life’s philosophy. Red color as the conductor of the thread that refers to the essential, to the desire, to what hurts most, to deep and sudden.
Performance as presentation, as sacrifice ritual that alters space-temporary coordinates; threshold in which the sacred peeks sometimes timidly, sometimes abruptly. And in the middle of the scene a body that speaks an indecipherable language, an organism that babbles unavoidable impulses. The performance as (re) presentation of the truth, as a sacred place in which the sacrifice of the circumstantial takes place.